The centre of each plate is painted in underglaze cobalt blue with Meng Haoran riding a donkey, accompanied by an attendant, amidst rockwork and blossoming plum trees. The scene is rendered in varying shades of cobalt blue, creating a composition of pleasing depth and balance. The exterior is decorated with bamboo and rockwork, and the base bears a six-character Kangxi mark within a double circle.

The subject of Meng Haoran Searching for Plum Blossoms in the Snow (Ta Xue Xun Mei) was a popular literary theme during the Ming and Qing dynasties. It depicts the Tang poet Meng Haoran travelling in search of flowering plum trees, a subject that came to embody the cultivated ideals of the Chinese scholar. The plum blossom, blooming in the depths of winter, has long been admired as a symbol of purity and steadfastness.

盤心以青花繪孟浩然騎驢緩行，童子隨侍，山石與梅樹環繞其間，畫面層次分明。人物、樹石以濃淡不一的青花描繪，筆意自然流暢。外壁飾竹石紋，底書青花"大清康熙年製"六字雙圈楷書款。

踏雪尋梅為明清時期常見的文人題材，描繪唐代詩人孟浩然於寒冬時節騎驢出遊、尋訪梅花的雅事。梅花凌寒而開，象徵高潔堅貞的品格，而孟浩然則代表中國傳統文人寄情山水、追求高雅情趣的理想形象。